Saturday, December 22, 2012
Queiron - Sodomiticvm Per Conclave (2012)
They set this up with an evil, almost martial march of ambiance that transforms into an instrumental called "Ordo Iconoclastic Rebellis", threaded with guitar harmonies. Here you really get the first sense for this more potent, pummeling production. The drums are set just right for the battering ram blasts and fills, though the kick drum does occasionally feel boxy (not a huge problem). The guitars have this robust, crunching richness to the slower, palm muted patterns, and yet they still hold up for the harried assault of chords used to adorn the blasted passages. However, the band has really refined its sense for melody, and the note progressions in tunes like "Perversion in Khaoz" or "Slavghter Ministry" implement a lot of tried and true, classic heavy metal and rock lead techniques into what otherwise prove a less palatable blueprint of brutality. Clinical harmonies are picked through some of the chugging patterns, and the songs on this album distinguish themselves from one another far more than on The Shepherd of Tophet or Impious Domination. Even Marcelo's vocals, which come across like a mixture of classic Sinister and the dual guttural-rasp technique of Deicide, seem more poignant and punishing.
I also really loved the exotic (if overbearing) sense of atmosphere they create through ritual pieces such as the intros or the brief "Templvm Perversvm". Like a lot of death and black metal acts, these guys really use the Latin thing to the point of near-cheesiness. U's become v's, f's become v's. They love that letter: v. But once you blend this all into the extremist undercurrent and the bevy of solid, entertaining riffs that support the album as a whole, it all transforms into something very much fulfilling to the sinister being in each of us. Okay, so Queiron aren't reinventing the wheel, and a myriad of death metal groups like Septic Flesh and Nile have already given us great blends of atmosphere and aggression, but I'll still take this over the garden variety vapidity one finds in the architecture of many also-ran bands and albums. Sodomiticvm Per Conclave is perhaps not a 'great' album, but it kept me interested through almost the entire 50 minutes, and certainly provides a case for one of the more improved acts I've heard this year.
Verdict: Win [7.75/10]