Monday, July 8, 2013
The Pete Flesh Deathrip - Mortui Vivos Docent (2013)
Instead of the typical, beefy guitar tone we've come to expect from this scene in particular (or those who attempt to honor it), Pete dials back to a more realistic level of grinding intensity that enables him to clearly mete out all the varied tremolo picking sequences, whose melodic content will be just as viable for fans of groups like Sacramentum, Lord Belial, Marduk and Dissection as the gruesome, mid-ranged growls and brutal blasts will be for those expecting traditional death metal. He doesn't resort to cliche D-beat rhythms, and yet again you feel the blackened death/thrash influence of his previous bands quite readily. Best of all, though, is how the ghastly vocals resonate out over the busy riffing like an undead preacher to a parish of ghouls. He has a couple guest growlers here, in particular Micke from Unanimated, and they fit right in. When he implements a 'groove' or breakdown, like the muscling mutes in "Burning Darkness", you can really feel it stand out since it serves as an exception to the rule, rather than a commonplace means to just fatten up a song. On top of this, he's actually got a handful of genuinely catchy, evil sounding hooks committed to the tracks, like the Slayer-ish intro to the superb "God of the Crawling Whore", or the bridge of "Raven's Reborn" which recalls a sluggish Bolt Thrower pacing.
All in all, Mortui Vivos Docent ('The Dead Teach the Living') is just a well-rounded labor of love album upon which you can rely on seasoned implementation of all instruments. The drums and bass are nothing particularly standout, but solid at all speeds in support of the tremendous vocals and riffs. It's not perfectly catchy, with its fair share of familiar or 'missed' opportunity riffs that don't inspire many repeated exposures, but from front to back this feels like an album carefully written and arranged, rather than just a selection of same-sounding death metal tunes that anyone riding Entombed's coattails might have written. In fact, the writing here is just as inspired by Scandinavian thrash or thrash/black metal as it is death metal; it's more Nifelheim than Nihilist, and definitely possessed a lot of riffing sequences that would have fit snugly on one of the better Maze of Torment discs. The production is lavish and sinister, the vocals raucous and vile, if a bit monotone in places, and you feel good and dirty when you're finished. This is a vulture circling in for the flesh and entrails you will no longer need. Carnage and punishment: plain, pure and simple.
Verdict: Win [7.75/10]