Tuesday, June 16, 2020
Bog Wizard - From the Mire (2020)
As with a lot of comparable bands, the key here is just to lull you in with some enormous, Sabbath-school groove and the hazy vocal patterns, but Bog Wizard isn't afraid to interchange their multi tracked hippie death chants with more extreme growls and snarls, and the latter don't really sound bad at all; in fact I wouldn't have scoffed at having more of them, as you'll hear in "Shapeshifter" where they sound ferocious and have an incredible sustain on some of the lines. That said, the cleaner vocals certainly fit in better with monolithic cuts like "City in the Mountain" or their lumbering ode to that unkillable mountain of teeth, claws and flesh known as the "Tarrasque". The guitars are minimalistic, chunky and heavy, a good counter to the more atmospheric effect of the vocals, although I wasn't a huge fan of their production, which was a bit too thick and syrupy on the heavier parts, with the bass getting a bit in the way of the rhythm guitar. It reminded me a little of some of Bongripper's material, in fact the sound overall reminds me of them, only there's a major difference in theme, whereas one is more focused on the drugs and suffering, this trio has the more structured traits of traditional epic doom, and for a DM and player like me, more compelling lyrical themes.
There's also a greater dynamic range across the substantial track-list, from proggier psychedelic escapism like the instrumental "Gnarled Cane", to the use of clean guitars and atmospheric leads throughout that prevent any sort of repetitive ennui from setting in. "The Orange Goblin" is another one which is different, almost a sludgy post-hardcore vibe to the riffs which are a little faster than usual and work well with the nastier vocals. Alas, it didn't turn out to be a cover of that band's eponymous tune on Frequencies from Planet Ten, but I like to think it's some sort of spiritual nod. I found the drums throughout pretty solid, although as with the guitars, the mix isn't quite rounded out yet, the snares in particular were a little thin and felt weak against the guitars, and some of the lower pitched drums also got lost at times. There's a little padding later on in the track list, I liked the idea of the "Fireside" instrumental more than its execution, and the howling ambient short "(And Stay Out)" seemed unnecessary. One other gripe is that they also front loaded one of the least interesting tunes in "Submission in Defiance", it chugs along ala Cathedral but there really isn't a terribly strong riff in there. Cuts like "The Wizard in the Bog", "Tarrasque" or the massive "Swamp Golem" are much more effective and really brought me into the album...
But that's the key, they DID bring me into the album, and while there is certainly some tweaking to be done, further room for growth in production and the layout of the tracks, I enjoyed the blend of crushing riffs, chant-like vocals, growling, marshland molasses pacing and fantasy themes. Fans of Witch Mountain, Dopethrone, Belzebong, Windhand, Acid Witch and Demon Lung might want to get these guys on the radar and track their sinking steps through the muddy slough of doom.
Verdict: Win [7.5/10]