Thursday, October 6, 2016
Svartby - Swamp, My Neighbour (2015)
So I'm pretty bummed out when I spin the Russians' latest record Swamp, My Neighbour and the first things that blow out of the speakers sound exactly like EVERY other European, charging folk metal band with the driving drums, predictable and majestic melodies, keyboards presenting atmosphere in the most overt, expected ways and a lineage that clearly owes more to Finntroll and Ensiferum than anything hinging on originality. This stuff should sound like demonic fauns dancing nimbly around a glade, or the cobwebbed laughter of an old crone, but it's just the usual glory-hounding cheese with the same Wagnerian swells and indistinct barking, hoarse black metal vocals deliver about as many chills as a warm bath. The riffs are largely just gallivanting chugs and melodies meant to imbue into the keyboards, never haunting or particularly catchy or even interesting. It literally sounds like they just let the synthesizer come up with the melody and then whatever the first palm-mutes they could produce were then set in stone as the bedrock from which the band would achieve its metalness.
I'm not trying to say that Svartby are terrible at this, because they possess the base level of competence to pull it off in time and a couple quirky uses of keys and female vocals that round out the sound to make it listenable. But this really just feels like someone obsessed with Finntroll, yet not willing to go the full distance and include less of the humppa music parts, though some tunes like "Bog Bar" definitely flirt in that territory. I mean, this is no Midnattens widunder, more of a mediocre descendant of Jaktens tid; so in that regard, they're more alike an Equilibrium or Ensiferum writing passable LARP music. The creepy creatures, elixirs and witching ways that the cover artwork hints at are relegated to the lyrics alone (which are decent), and never manifest with any spooky progressions of chords, notes, not even the vocals which are as banal and blunt as their harsh inflection can get. A few later tracks like "Clock Tower" are catchy enough that I wouldn't want to skip through them, but not in the way that the outward aesthetics of the band would hint at, and that's really the biggest disappoint I feel here, another folk metal band that thinks everything needs to be a dance party in Medieval shoes. File 'em away with Trollfest and just stick to the original.
Verdict: Indifference [5.25/10]