Showing posts with label Frightmare. Show all posts
Showing posts with label Frightmare. Show all posts

Monday, October 29, 2012

Frightmare - Midnight Murder Mania (2003)

Midnight Murder Mania might seem like a relatively typical release for Razorback Recordings, but in actuality it's one of the label's seminal releases, dropped just as the label was reaching its stride in the earlier 21st century. Alongside Ghoul, Frightmare was probably one of the most rounded and accessible acts on the label, generated a fair share of buzz (at least among my circle), and they also had this 'home court' advantage for the niche, with a roster that included members of other Razorback and associated acts like Lord Gore, Splatterhouse, Whore, Engorged and Blood Freak; including Maniac Neil himself. Basically the lineup was a raucous rogues' gallery of that Portland, Oregon splatter death/grind scene, and this explains why the actual musical output bears so much similarity to those other acts.

Midnight Murder Mania is probably one of the most earnest and entertaining paeans to the fictional killers of slasher cinema in my metal collection, with most of its original tracks adhering to specific flicks like Friday the 13th, My Bloody Valentine, Slumber Party Massacre, Black Christmas, and Maniac. A heavy emphasis on the 80s. A few movie samples are included, but unlike some of their peers in this field they never tend to overdo it, letting the music perform its own hatchet to the faces of the audience. As usual, the music is a mixture of grind and death metal aesthetics with some thrash and punk influences, and it never takes itself too seriously, thanks to the lightheartedness created by the band's mesh of toilet flush gutturals, sinister Carcass snarls and haughty barked lyrics with feel a little 'tough guy'. I've never found the band to be quite so riffy as Ghoul in terms of overall quality, but they incorporate loads of leads, tapped melodies and other techniques to keep the music fresh, varied and multi-dimensional rather than heaping on saturated and banal deathgrind riffs you've heard a million times before.

Structurally there were a lot of riffs in the Carcass (Reek of Putrefaction/Symphonies of Sickness) and Napalm Death (1989-1990), and the band thrives at an uptempo-to-blasting pace with only a few notable breakdowns worth their salt. Most of the rhythm guitars aren't incredibly interesting on their own, but once the energetic drumming and hoarse barks and gargles are applied they definitely cut like a trick or treat bag full of taffy-coated razor blades. The instruments are all quite clear, with a nice churning tone to the tremolo mute riffs and a deep, if not all that exciting bass with an appropriate fuzz. They implement a few brutal 90s death techniques like squeals boringly in pieces like "Slasher Holocaust", but almost without exception the highlights here in the songwriting are all leads or melodies that outclass the rhythms. Drummer is pretty damn good, blasting and grinding with tenacity, though often at the expense of interesting beats or fills.

I doubt this debut was written with the intention of taking over the world...it's functional, fun and remains so almost a decade after its release, but I wouldn't place it past the first few Ghoul outings; more on the level of Splatterhouse's The House That Dead Built. The cover of the Misfits' "Devilock" is translated into a more potent, pummeling form reminiscent of the Frightmare originals, so its a worthwhile conclusion even if this treatment doesn't quite ramp up its energy level or impact. In summation, Midnight Murder Mania's a disc worth picking up if you're interesting in goofy goregrind, though it's not quite that intense. A more comic adaptation of Carcass, perhaps, or the usual Razorback crowd who likely need no introduction. A few stabbings short of setting serial killer records, but you wouldn't want to lock yourself away in a vacation cabin with a few friends if this was anywhere in a 30 mile radius.

Verdict: Win [7.75/10]

http://www.slashermetal.com/

Saturday, October 24, 2009

Frightmare - Bringing Back the Bloodshed (2006)

Frightmare is among my favorites from the Portland-based gore metal legions of Razorback Records. Like their compatriots, this project of Maniac Neil (Lord Gore, Blood Freak) carving their own bloody niche with an arsenal of thrashing riffs.

Bringing Back the Bloodshed sets the mood with an intro straight from an old horror VHS, then bursts through your bedroom window with Angela, a violent introduction to Frightmare's brand of thrashing, gory Carcass worship. "Friday the 13th Part 2" chronicles the return of Jason Voorhees, the music again swollen to bursting with sick, sick, sick guitarwork as remains constant throughout the album. The catchy hooks and classic solos never end. "Barbecutioner" might sound like a Dethklok song title, but it fucking slays, opening with a quick sample and a killer riff that could be packaged and sold as an instant moshpit kit, and ending with a hilarious surprise 70s funk outro. I could go on. Every song is awesome, the electrics backed by blasting drums and a fine production, clean and sharp like a honed machete.

The album isn't perfect, though. The Carcass-style dual modulated vocals are solid, but blessedly unintelligible. The lyrics are incredibly bad, some of the worst I've ever read that come from a band that otherwise knows what they're doing. I won't even reproduce them here because the last time I read them I had to quit listening to the album for a couple of years. They're seriously that bad, and reading them will hamstring your enjoyment of the album. You've been warned. The only exception to this rule is the album's final track, a great cover of Laaz Rockit's Leatherface.

But, hey, shitty lyrics you can't understand, whatever. Pop in Bringing Back the Bloodshed, turn the speakers up as high as they'll go, and go kill your neighbors with that rusty axe you've got laying in your garage. Happy Halloween!

Verdict: Win [8/10]

http://www.slashermetal.com/