Showing posts with label malaysia. Show all posts
Showing posts with label malaysia. Show all posts

Thursday, July 4, 2013

Humiliation - Turbulence from the Deep (2013)

War metal seems somehow an appropriate thing to cover this Fourth of July, even if that war metal is hailing from one of two Southeast Asian acts writing and performing under the banner of Humiliation. Not to be confused with the Indonesian band, who dabble in a more brutal style of death metal, this Malaysian quintet have cultivated a particular obsession with the classic sounds of the late 80s and early 90s, in particular groups like Bolt Thrower, Gorefest, Cancer and Asphyx, known for their plodding simplicity among the ever-sickening sea of complexity that progressed through the 90s and beyond. But we've come full circle, as younger bands pillage the past for more authentic tones, returning to the roots and attempting to expand more freshly in a horizontal direction.

The whole concept behind Turbulence from the Deep is compelling to me. Submarine death metal from Malaysia? Sign me up. Surprisingly, though I can't recall encountering them in the past, they've already put out three full-lengths, each represented with an aircraft, vessel and mobile armor, so the theme is nothing new to the guys. Not that it's new anywhere, because beyond Bolt Thrower, groups like Hail of Bullets and Invasion have been champion this style of 'History Channel' death metal for some time, but the prospect of this outfit's geographical location hints at a fresh perspective. And that might or might not be the case, since I haven't got the lyric sheet for this one, but I can say for certain that the music is a time portal opened back up to the years of War Master and The IVth Crusade, centered on a set of hooks that unfortunately are so primal and obvious that they feel ceaselessly derivative across the 44 minutes of material. Now, that might not be such a negative if you're the sort of listener who pines for nostalgia at the expense of innovation, but I could not in good conscience get past the fact.

That is NOT to say the minimalistic riffing killed of tracks like "Operation Obeo One" or "Calibrated Chaos", which slogs along at almost a death/doom crawl, is a total deal breaker, because what they lack in creativity they make up for in a very rich, pummeling, brooding production peppered with somber melodies in the vein of Bolt Thrower. You can only imagine that with such a limited palette of chugging rhythm guitars played out over only a few chords and root notes, this helps add some versatility, depth and emotion to the bleakness. The vocals are a truly nihilistic guttural bark, using the Karl Willetts style as a base, but not as beefy, so you hit a few more mid-ranged growls here or there. The drums snap along persistently beneath the meat of the rhythm guitar, with plenty of double bass rolls when called for, and they pick up appropriately whenever Humiliation surges forward into one of its faster death/thrash styled riffing sequences. Bass guitar is heard and felt, but it doesn't exactly have the consistency of a depth charge that I had hoped, and it tends to find comfort in following along the rhythm guitar patterns. Admittedly, a lot of the death metal I receive from this area of the world is usually quite brutal and choppily engineered, so Humiliation was at least a smooth change of pace.

Songwriting is all pretty steady and samey through the first ten cuts, with some deviations in tempo that prevent it from becoming a swollen bore, but then they throw a surprise left with the tranquil acoustic outro "Submerged at the Seabed" which is pleasant and captivating despite its own simplistic nature. Otherwise, the parameters are set early on and there's little to no deviation. The notion of lead guitars are generally just reduced to those melodies I mentioned earlier; an area where the band could clearly expand upon, even just with some bluesy wailing an an effects pedal. Atmospherically, I suppose the drudging pace and doomed tone of the rhythm guitars is actually enough to make one feel as if he/she were sinking among spent the artillery shells, shrapnel and corpses after a hull breach, but it wouldn't have hurt to indulge in some sonar, watery effects or even samples and help emphasize the concept. Which is in of itself an interesting one, and one that Humiliation should continue to explore, only using a more creative set of guitar riffs. As it stands, Turbulence from the Deep just anchors itself among its influences and plays it too close to the ammo-belt. Decent stuff, for sure, but ultimately not so interesting as I had hoped.

Verdict: Indifference [6.5/10]

http://www.humiliation.my/

Saturday, January 9, 2010

Storming Steels - Aggression Thrashing Fist (2009)

Though my blood curdles and mood darkens whenever I see the word 'thrash' being used on a song or album title on almost any thrash metal album released post-1990, I have to admit that the Aggression Thrashing Fist may just be one of the best album titles I've ever heard. It may simply be a byproduct of bad Southeast Asian English, but it really sticks, especially with the flying v-wielding skeleton rocking out in the flames of the cover art. You do not hear a lot of thrash metal coming from Malaysia, and Storming Steels temper their choppy and busy guitar bustling with venomous, blackened vocals (some might consider this black/thrash, though the riffs never enter that domain).

And the riffs here are really my major gripe with Aggression Thrashing Fist, for so many of them feel so predictable, patterns of chords that simply don't cut it anymore. This is not the rule, of course, and Storming Steels at times do evoke some blasphemous evil thrashing, but for example, take the riff at 2:10 in the opener "Pounding Merciless Evil". A little too redundant, and there are far better tracks here, but you'll start to get this feeling a number of times across the album. The band is at their best on tracks like "Eternal Forbidden Sins", "Hellwitched Possessed" and "Onslaught Thrash Outrage", where the riffs don't match up 100% with others you've listened to in the past. I will also mention that while Deathrash Blasphemies has a cool handle and charming delivery with his blacker vocals, he does often go a little overboard with the howling vocals, to the extent that it feels a little more like a mockery of the musical genre than an earnest attempt. I realize bands like Slayer used to do this all the time, but Araya had a more piercing slice to his screams that fit the music well.

Storming Steels is a band with their heart in the right place, and I like the crispened black thrash style they portray, with a mix of Venom, Razor and Piledriver influence. But some of the lyrics and vocals feel tacky, and there aren't a lot of winning riffs. However, if you're into the idea of a crude thrash sound with some bite to it and melodies, from Malaysia of all places, then this is one of the few options you can turn towards. Unlike other, tongue in cheek Asian speed/thrash bands like Metalucifer or Abigail, this one just doesn't always have the riffs to back up the entertainment.

Highlights: Eternal Forbidden Sins, Hellwitched Possessed

Verdict: Indifference [6/10]

Saturday, December 27, 2008

Hidden Silence - Black Hearted Spiritual (2008)

I don't hear many melodic death metal bands from Malaysia, so I was rather pleasantly surprised by this album. This young act seamlessly combines a thrash influence with the 'atmosphere' of melodic or symphonic death metal and the result is a set of pretty kick ass tracks. I honestly liked this album.

"Night of the Living Terror" opens with an almost black metal feel, and then busts out into an excellent thrash/speed metal riff, later picking up the pace into a driving, keyboard-laden melodic death pace. The song also has some nice melodies near the bridge, and more thrashing riffs. "Necromenicide" has a dense, razor's edge to the guitars, which thrash and groove beneath Deadzid's evil death metal growl. "Blood World" has a more somber, melodic death metal feel. "Desperate Dog" has a classic NWOBHM riff sequence to it, really excellent, amidst some thrashing bits. "Cast Away" is an instrumental with some keyboards and acoustics, but it's a nice set up for the wonderful "Final Destination". The title track is perhaps the weakest here since it has a different production which is far more primitive, perhaps it is live?

The mix is quite nice, the songs reverberate and feel very epic, whether that was intentional or not matters little, it makes the album sound refreshing and different. The riffs are simple and catchy throughout, and the leads and melodies are always tasteful and memorable where they appear. If you're looking for more melodic death but are fed up with the Swedish bred style, this is a nice alternative, even if it's not as complex. Excited to hear more.

Verdict: Win [8/10]


http://www.myspace.com/hiddensilencemetal