Had a little bit of a Mandela Effect where I thought I remembered this one as their second full-length, but The Edge of Existence is in fact the third proper EP for Creeping Death, and one that showcases a lot of the band's studio polish and development. While you've still got plenty of chugging moments that will appeal to the slam-dancers, this was to its day the most purely 'death metal' the band had sounded, you could have easily convinces me this was a new effort from Malevolent Creation or Deicide if only certain details like the vocals had been different, and as they continue to use the morbid, cavernous cover art it seems like they are themselves molding themselves more into the purity of the medium. That said, half the material here is just a re-recording of their initial 2016 EP Sacrament of Death, which wasn't really broken, didn't need fixing, and serves really only to sate those who weren't able to get their hands on that.
Certainly a little bit of an upgrade in terms of comparing to to the studio aesthetics of the full-length that came out before this, but I felt like "Sacrament of Death" and its siblings felt a bit drier than they did originally. The one exception would be the vocals, which catapult into gruesome new depths, but the rhythm guitars and rhythm section are less impactful, not necessarily bad at all because they do line up better with the new tracks, which are where this EP is going to live or die for me...and it does for the most part succeed in cultivating all those late 80s/early 90s influences, though most of the riff choices here aren't terribly exciting, but workmanlike and catchy enough to keep your attention even though you'll probably be longing for something else in your death metal collection. The production is loud, the instruments very even, the drums flawless and the vocals once again continuing to ramp up their sickness, though he is also alternating more of that classic growl with lower gutturals and even a few accompanying snarls and neither is as interesting as his traditional delivery.
Essentially the new content on The Edge of Existence sounds like something that might have existed as an amalgam of old Floridian death metal, perhaps a bit of Gorguts or Dutch stuff, only modernized for the old school obsessed in the 21st century. It does its job, and the re-recordings certainly are strong enough to stay in balance with the energy and proficiency the band has been carving out in the years since they were originally released; it's not like you jump this gap between tracks #3 and #4, they all fit rather well together and, like most people, if you can't get a hold of the old version then this is a decent way to experience them. Probably made the least impression on me of any of their offerings to date, but still impossible for me to SIT still through.
Verdict: Win [7.25/10]
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