Friday, July 26, 2024

Blood Incantation - Starspawn (2016)

Starspawn is, for me, what really got this extradimensional party started. It wasn't my introduction to Blood Incantation, but the first material I actually purchased, that truly drew me on board the (deserved) hype train the band was riding. It's a natural successor to the EP, not necessarily eclipsing that in technicality, but clearly more ambitious and adventurous in structure, without escaping the gravitational pull of its more obvious influences, which could be drawn from an admixture of Floridian, Canadian and Finnish DM royalty. Again, not a ton of material here, just five tracks in 34 minutes, but at the same time, there's no fat to trim, no excess to the band's ideas that they can't pull off. They focus on making these five cohesive and memorable, and they succeed.

The production is a little denser than the previous release, and at the same time, it's more airy and atmospheric, especially on the melodies and leads like you'll hear pretty quickly in the depths of the 13 minute beast that opens this, "Vitrification of Blood (Part 1)". This tune covers the whole range of the band's fury from the start, whether it's the thundering blasts and writhing OSDM tremolo riffs, or the more proggy leaning grooves over which Paul Riedl's gutturals roar off into the cosmos with an appreciable reverb. The band yet again achieves that organic feel, murky but sincere, though I feel that the opening track definitely lends itself to more exploration as in the extended bridge with the chugging grooves and simple melodic lead licks ringing out, like a rocket transforming into a doomed space hulk in a slower orbit about some alien sun. The rest of the tracks are much more controlled at around 4-7 minutes, and get an equal amount of ground covered.

I definitely think Paul's voice is a bit more effective here, and there's a wider variety of riffs natural occurring since they've got twice the space to maneuver about in. The drums are tireless but never too insane, the band also got it's proper bass player here, also using a fretless, though I wouldn't say its leaps and bounds beyond the performance on the EP; the guitars and beats and growls just take center stage here, so it can get lost a bit behind their bulk, even though it's still audible most of the play length. There is an instrumental piece here which starts off more in the spacey dark ambient realm before turning into some clean guitars, it's a bit of a relief from the heavier material, but at the same time it sounds like it's a few separate ideas just being strewn together and it's easily the weakest cut of the five, and doesn't quite live up to its awesome title "Meticulous Soul Devourment". To some extent, it foreshadows their later ambient work, but it's not as interesting as that, just sort of an experiment that doesn't fully pan out.

Otherwise, Starpawn is awesome, and it's a record that does earn its place as one of the outbreak underground sensations of that 2010s time period. Is it quite the masterpiece that some might claim? Not exactly, if only because when broken down, the songs and riffs aren't always as sticky as I'd like, but as a sum experience it's very impressive and it's very natural feel holds up now as much as when I first listened through it. I could live without the instrument, but it's not the idea of the thing that lets me down, only that it needs a better flow, not only within itself, but with the tracks sandwiching it. Along with Interdimensional Extinction, this is pretty much the strongest era of the band thus far, but like I've said before, they don't have a ton of material out yet, I feel there is just so much yet to come and Blood Incantation won't be afraid to take some risks, some chances that might churn out even more impressive results.

Verdict: Win [8.75/10]

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