
This is achieved through a superior sense for atmosphere. The manic, tortured vocals being squelched out over "Days Like Years", for example feel truly grisly, and the strange, crashing early bridge seemed to come out of nowhere. The fuzzy, tremolo riffing is nothing out of the ordinary, but the roughness of the distortion here gives it a particular ringing that resounds in the skull for at least a brief spell after the track ends. "The Gospel of the Heretic Scorn" continues this process, straight ahead noisy black metal akin to Transilvanian Hunger or the old Burzum records, but it builds a nice wall of airy force, and the synthesizer sequence that arrived in its depths is not unwelcome, offering some sheltered variation from the seething storm that led up to it.
In truth, I like these songs more than any I experienced on the full-lengths, even if the actual production sounds more rushed and amateurish. It's one of those cases where the atmosphere (accidental or possibly intentional) really gels to create a consistent hostility. Fans who worship any of the old Norse works of Darkthrone, Gorgoroth, Mayhem, and so forth would feel right at home. That said, Revolution of Souls is hardly a leap beyond Wolforder, and in short time, the songs are just as forgotten. But for 13+ minutes of strictly by the book, snarling primacy, you could do worse.
Verdict: Indifference [6/10]
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