Reconstruction is essentially the leftovers for those of who don't have a particular version of the Modern Primitive full-length to chew on, and I happen to be one of those poor schlubs, hearing these for the first time when I had access to the digital files. As it turns out, these are purely symphonic, cinematic pieces that don't incorporate the death metal elements the band have been built upon. However, they do possess the same glance back at the great times of antiquity, perhaps more so than the heavier tracks, and the Philharmonic really gets to excel over these pieces with the freedom from accompanying the dark grooves and the extreme metal drumming. Both "Salvation" and "The 14th Part" are pretty good, especially the choirs and vocals of the former, which set up a sort of audio play, sometimes creepy, in which to lose yourself.
The final track is the pure symphonic rendition of "Coming Storm" without the aggressive instruments, and this too is quite cool to experience, like a rousing scene in a film where battle is joined or there is some great escape from disaster. The depth here is wonderful, equivalent to what you'd hear in a film or video game score, and proves again the multi-faceted talents of Septicflesh composers, and what having those broader interests can bring into their metal music. Ultimately it's not the most memorable stuff, but if you're into dark opera then it's worth hearing even if you don't like death metal. I'd definitely at least recommend that, if you haven't picked up Modern Primitive, you get the version that includes this for additional value if the price difference isn't too great. It's a fine addition and bumps up the album just a fraction in my estimation. But on its own, a well-executed if passing curiosity.
Verdict: Indifference [6.25/10]
https://www.septicflesh.com/
Sunday, November 10, 2024
Septicflesh - Reconstruction EP (2023)
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