Tuesday, May 16, 2023

Cryhavoc - Pitch-Black Blues (1999)

While I wasn't so hot on Cryhavoc's debut Sweetbriers (other than the cover), Pitch-Black Blues feels a little closer to what I had inwardly hoped for when I saw all the comparisons to their fellow Finns Sentenced. Granted, this isn't quite so much in the ballpark of my Amok, my personal favorite from that band, but the music resembles its own successor Down a lot, only with a rougher vocal approach that falls somewhere in between the two frontmen for that other band. Also, what the fuck is with this band and having chicks covered in sheets? Granted, this one isn't nearly as alluring as its predecessor, but is that some weird fetish of the bandmembers? Had this band continued beyond just the two discs, would we have been treated to other female forms wrapped up in tarps, tapestries, carpets, bearskins, silly string?

Pitch-Black Blues trounces the debut album in most categories, the most important being the superior production and the catchier songwriting. If you know their countrymen then you know this, it's melodic, accessible heavy metal given a slightly Goth edge by the grain of the vocalist and the general mood and seriousness of the riffing. The mix here is clear and potent, giving us everything from the smooth grooves to the bass, the snap of the percussion to a rich and full guitar tone which isn't too heavily distorted but perfect for this style. A number of the chord progressions and arrangements of the tunes here seem actually like later day Amorphis, so if you're into the Tomi years this is a gem you too might want to check out, it's kind of wedged between these two other, better-known Finnish bands...

And that might be half the reason that people didn't flock to it much, since you were getting these components better written elsewhere. Although this album is arguably better produced than Down, I think the songwriting over there was a bit more memorable, that's not to dump on Cryhavoc, because every time I listen to this one I'm engaged well enough by tunes like "The Wind" or "Metamorphosis", but they don't stick around much beyond that, where on some autumnal or snowy day I will reflect back on my favorite Sentenced stuff often. This is 100% the first contact point for this band, though, skip its mediocre predecessor and head straight to this one if you're looking for B-reel Finnish Goth metal with a hard rocking attitude and a lot of...women under sheets of some sort.

Verdict: Win [7.75/10]

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