Friday, July 20, 2018
Harlot's Grip - Harlot's Grip EP (2018)
I'd place the sound conjured up here between the ballsier NWOBHM bands of the mid 80s, such as Saxon and their ilk, and the more finesse-driven USPM to follow that era like Jag Panzer. The riffs are just as often to break out into conventional, mid-paced, blue collar fist-pumping chords patterns are to explore more gleaning, textured surges of melody, but the two are equally mitigated so that you're getting your fill of the former, with just as much of the latter as you'd need to prevent the tunes from becoming predictable. A small fraction of the aggression and melody also draws upon their Soulless alma mater, which is fine by me since that band is bananas. It also benefits a lot from not sounding painstakingly old school; this is clearly not a pure nostalgia trip by the band members, but an attempt to craft these influences into tunes that fit straight into 2018 and possess a little added nuance than just your average grab-bag British metal proxy. They're a bit more parallel to a Pharaoh, New Eden or Jag Panzer than an Eternal Champion, Cauldron or Visigoth, perhaps, but could be equally appealing to fans of all of these.
Big hooks. Audible bass lines grooving along with them. Big drums, cranked right along the guitars so you can hear every splash and thump. Clear emotional ramp-up between verses and choruses, with effective leads that disperse sorrow, melancholy and other feels over the bridge rhythms. Richards even employs a very mid-range, workmanlike vocal tone reminiscent of Biff Byford or Tank's Algy Ward, and that does bring me to one minor critique. As much as I'm cool with that approach, and how it best uses its available range, I did feel like some of the riffing and production tended to overpower them at times. Without needing a bunch of cliche shrieks and screams, a few more bells and whistles in the mix could bring them out more, whether that's just done in the mix or in the line composition. There was also a backing vocal or two which felt a little bland, muscle those up too. The only other quip might be that the four tunes here kind of covered a samey range of tempos and aesthetics, but this would easily be corrected by a full-length effort where they'll reach wider.
And I hope such an album is on the horizon, because Harlot's Grip is a refreshing entry into a niche I think is often neglected in these days of throwback tweaking...a band that looks backwards only for its foundation and then cements over it something a little more creative. Some classy riffing, some classy sword & sorcery artwork, well worth checking out if you're a fanatic for old heavy metal or UPSM with an emphasis on its songwriting groundwork rather than Harpy-like wailing eccentricity.
Verdict: Win [7.75/10]