One risk that ambient artists face is that their recordings can often become so samey, so redundant that it feels like one or two ideas are being chopped up into a number of slices and then fed to the listener individually in lieu of offering a more fulfilled, variegated experience. One might immediately gaze upon the cover art to the tapes of Astral Order of Impurity, hear a few select moments of the pads and effects the creator has implemented, and decide that there isn't a whole lot of difference between them. One might not always be wrong in that assumption, not even when comparing and contrasting Dimension with its predecessor Portal. However, those differences DO exist, and not always in the most subtle of contexts.
Dimension is a more cathartic experience than the prior tape, with a greater intrusion of dissonant noises and effects that inhabits its depths and become immediately more alarming, while the usual background tones themselves become even more innately alien and frightening. This is not always the case, and there are indeed a few lighter points in the first half of the 41 minute track which were crucial in setting this one up as an almost more asymmetrical 'cinematic' recording. A few hints of weirdness abound, but it all takes a slightly darker, more chaotic turn as you reach past the 20-25 minute zone, after a more ominous, subdued middle section with some subtle electronic or radio signals rattling off against the swelling background...I thought I even heard something like a guitar distortion pop into one ear, but I often lose my mind when I become so embroiled in a record like this that it wouldn't surprise me if my own mind was casting shadows. But, lo and behold, just like the alien bursts out of the victim's chest, or the space heroes realize that planet they just landed on is not actually a planet, or that the void is just in general not a friendly place...this one grows a little more haunting and fucked up, and it really pays off in the listener's emotions.
Again, material like this is the Anti-Beat. It's not going to get you laid, and if it does, well you've found yourself a keeper...either that, or someone who is going to probably kill you in your sleep (one eye open, friend, one eye open). It eschews the conventional structure of rock or even classical music instrumentation to more directly mimic the sounds of open space, technological equipment or even just what a human brain might 'think' it is hearing. You're not straining for the next harmony here, you're just dreading what might be around the next corner of a derelict extraterrestrial space-craft. L.V., the sole craftsman on this recording, is channeling his own trepidations of the unknown onto cassette, for a few brave souls to witness themselves. But the funny thing, people, is that this is ALL around you, always has been, and always will be. Stop to listen for a few seconds, ignoring the wagging of tongues, the invasive ring-tones, the grinding of construction equipment on every urban corner, and you may just hear it. Or, better yet, just let Astral Order of the Impurity do the work for you. Dimension is the music of Infinity, filtered through one consciousness trying to translate it into pure aural emotion. It's the better of the two Astral Order tapes I've listened through, by a small margin, granted, but it's at once both more sublime and horrifying.
Verdict: Win [8.25/10]
http://voldsom.net/
Showing posts with label astral order of impurity. Show all posts
Showing posts with label astral order of impurity. Show all posts
Wednesday, November 19, 2014
Monday, November 17, 2014
Astral Order of Impurity - Portal (2014)
I've listened to hundreds of musical genres across my decades, but one that always strikes me as the most personal is ambient. And when I say 'personal', I'm not referring to the schmaltziness of romantic pop and rock lyrics, nor how most of the drones feel they can 'relate' towards their Taylor Swift records. No, the undiluted practice of raw musical expression in a niche that hasn't been cool ever, isn't cool now, and if the stars are right will never, EVER, become 'cool', tainted or passe. Labels like the German imprint Voldsom are so underground that the devil himself might give you a blank stare when you ask him where to find them, but we have the Internet now, and no need to rely on His bad direction sense any further, though his fashion sense will never go out of style.
Speaking of directions, Astral Order of Impurity depends on only one. Up, up, and away, unto the weightless distortion of space and time. Gravity be damned. Gravitas, on the other hand, paramount. One of the more recent projects of musician L.V., who you might recall from my coverage of Til Det Bergens Skyggene, a more rustic example of ambiance which some might brand ambient, others might dub 'dungeon synth', but struck through with tints of folk abandon and isolation among both the depths and surface world of the Known World. Portal is rather the opposite, a solitary, 43 minute, consistent excursion into what feels to me like an extraterrestrial plane. Perhaps resonating off the hull of some cyclopean World-ship cruising the void between galaxies. Or something your imagination might produce as a feedback loop during nostalgia for lunar landscapes, ancient science fiction concepts (pre-colorization). Free of the convention of percussion and other rock sacraments, the spacey synthesizer pads embark upon an oft empty, oft ebullient discourse. This is not a vacuum which entirely lacks in warmth; he is constantly supplanting the thicker, murky, fear-induced strains with cycles of more radiant non-melodic tones and effects that seem delightfully spontaneous.
I told you: deeply personal. One human being experimenting with sounds foreign to the herd-mind misconception of what music might encompass or become 'defined' as. That's not to say L.V. is the first cosmonaut out in this stretch of universe, but due to its general lack of rules and scripture, this stuff always feels fresh and unpredictable, even if that sporadic nature arrives in the form of subtler sounds than chaotic, blazing grindcore guitars or acid-trance crabcore keyboard harmonies. Mood music, absolutely. Not something you're going to appreciate much if you can't set yourself up to receive it. Park your posterior on a hill at night, stare off into the darkness, and come to terms with your smallness in the face of it all. Dream of satellite dishes signaling off into the interstellar range, where they most likely will reach nothing. The tape format only adds to that nostalgia, that horror, that antithesis to sentimentality which such cold and distant music revels in, but the real joy of Portal is how, upon the precipice of becoming lost and frozen forever, you'll experience this peel of light, a far-off sun erupting, and know that somewhere, someone is still breathing, dreaming. And goodnight.
Verdict: Win [8/10]
http://www.voldsom.net/
Speaking of directions, Astral Order of Impurity depends on only one. Up, up, and away, unto the weightless distortion of space and time. Gravity be damned. Gravitas, on the other hand, paramount. One of the more recent projects of musician L.V., who you might recall from my coverage of Til Det Bergens Skyggene, a more rustic example of ambiance which some might brand ambient, others might dub 'dungeon synth', but struck through with tints of folk abandon and isolation among both the depths and surface world of the Known World. Portal is rather the opposite, a solitary, 43 minute, consistent excursion into what feels to me like an extraterrestrial plane. Perhaps resonating off the hull of some cyclopean World-ship cruising the void between galaxies. Or something your imagination might produce as a feedback loop during nostalgia for lunar landscapes, ancient science fiction concepts (pre-colorization). Free of the convention of percussion and other rock sacraments, the spacey synthesizer pads embark upon an oft empty, oft ebullient discourse. This is not a vacuum which entirely lacks in warmth; he is constantly supplanting the thicker, murky, fear-induced strains with cycles of more radiant non-melodic tones and effects that seem delightfully spontaneous.
I told you: deeply personal. One human being experimenting with sounds foreign to the herd-mind misconception of what music might encompass or become 'defined' as. That's not to say L.V. is the first cosmonaut out in this stretch of universe, but due to its general lack of rules and scripture, this stuff always feels fresh and unpredictable, even if that sporadic nature arrives in the form of subtler sounds than chaotic, blazing grindcore guitars or acid-trance crabcore keyboard harmonies. Mood music, absolutely. Not something you're going to appreciate much if you can't set yourself up to receive it. Park your posterior on a hill at night, stare off into the darkness, and come to terms with your smallness in the face of it all. Dream of satellite dishes signaling off into the interstellar range, where they most likely will reach nothing. The tape format only adds to that nostalgia, that horror, that antithesis to sentimentality which such cold and distant music revels in, but the real joy of Portal is how, upon the precipice of becoming lost and frozen forever, you'll experience this peel of light, a far-off sun erupting, and know that somewhere, someone is still breathing, dreaming. And goodnight.
Verdict: Win [8/10]
http://www.voldsom.net/
Labels:
2014,
ambient,
astral order of impurity,
Germany,
win
Subscribe to:
Posts (Atom)

