Hidden Treasures was the last 'cool' Megadeth release before a steady decline in quality of their output for around 14-15 years. Yes, they held out longer than Metallica, whose ascent into vast commercial success came at the cost of creative bankruptcy, and to me they even outlived Slayer, who cease to be relevant for me after 1990 with the exception of popular live performances and an adequate track or two. Is that revenge enough for Dave, who was once thrown from the ranks of what would become the biggest metal band ever? I think on some level, it must be. Granted, this is not a proper studio album, but a collection of odds and ends from soundtracks and tributes that I appreciate because they're not all readily available without bailing out loads of extra cash. Industry: this is how you do a fan compilation correctly!
And I won't lie, even if it's not a 'proper' full-length, I enjoy Hidden Treasures more than any of the albums they have release since, with the exception of Endgame. Though it's not all recorded at the same time, a lot of the material here is quite consistent with the production and songwriting level on Rust in Peace, Countdown to Extinction, and Youthanasia. It's also a lot more ferocious than the album before it, with Dave sounding a lot nastier, the instruments flexing their muscles more, and as much as I did enjoy Youthanasia, this presented a nice snapback, even though I'd already heard most of the songs...hell, these days I think I've even got all of these films on Blu-Ray or DVD, including the crappy old Super Mario Bros. flick which my sons demanded for the collection. So you could say I was in the 'target' audience to experience a lot of these on the big screen, from the cheesy slasher Shocker to Last Action Hero to the Beavis & Butthead Experience. In some cases, the Megadeth tracks were the best parts of the movies, and while the cover choices here are hardly obscure, something like "No More Mr. Nice Guy" is the perfect vehicle for Dave Mustaine to capture his attitude like a fly to the amber of his influences.
But the originals are where this really shines..."99 Ways to Die" is a song I fell in love with the first time I heard it, with the amazing riffs in the verse and the acoustic bridge that leads to one of their most memorable chorus riff/vocal tag-teams ever. "Breakpoint" feels like an exercise in the groovy speed thrash of their Rust in Peace era, "Angry Again" is a cruise control thrasher which wouldn't have felt out of place on their 1992-1994 releases, and "Go to Hell" also has its moments. The one exception for me is the closer "Problems", the previously unheard track which channels a lot of shitty hard rock or blues vibes into a slightly more crunchy thrash riff or two, with a lame punk-like chorus. Both the Black Sabbath and Alice Cooper covers are decent, though, so I just have to end my listens to this about four minutes 'early' so that the experience stays consistent. You can't win 'em all, but I still hold Hidden Treasures as a sort of precipice beyond which there is a rather steep plummet to oblivion. Will they fall straight off the edge to their doom, or maybe grab a lifeline to halt their descent?
Verdict: Win [8/10]
https://www.megadeth.com/
Tuesday, February 13, 2024
Megadeth - Hidden Treasures (1995)
Labels:
1995,
california,
Megadeth,
speed metal,
thrash metal,
USA,
win
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