Saturday, October 19, 2019
Midnight Priest - Aggressive Hauntings (2019)
As for the band's riffing, it's not quite as eloquent or catchy as stuff you'd hear coming from the camp of King and Andy LaRocque, there's a shoddier, crunchier power metal edge to it which is more redolent of Accept, U.D.O., Primal Fear, Running Wild ("Iron Heart") and Judas Priest, sometimes generically so. Which was an issue I had on this album more than any others, that so many of the rhythm guitar parts couldn't live up to or elevate Lex Thunder's vocals, and thus they both sounded a little desperate independently and in unison. Don't get me wrong, if you love every garden variety mid-paced Euro power metal riff you encounter, then there's no reason to think you wouldn't love them here. They also lace in a lot of smoother, speedier licks with a decent sense of melody to the chords which is more representative of their primary influence. But the fact is that there's just not a lot to this one you haven't heard before on the bottom end, and while the musicianship is coherent and would make a bad-ass background for a motorcycle ride or a leather-clad street fight, it doesn't stand out to me in such a crowded feel when other bands can put riffs and choruses together in a way I'll remember a lot more.
The production is brazen and punchy here, with the guitars up front between both their hammering mid-paced chords, little glints of melody and the more-than-competent lead-work which was one of my favorite parts of the record. It's all legit and energetic, and while the lyrics don't form quite a cohesive narrative style like KD, the images and subjects they capture are all perfectly gloomy and metal, not to mention that certain transitions feel a LOT like 80s King Diamond, almost as if they were paraphrased from the original. As I mentioned, though, the shifting vocals and the emphasis on more hard-hitting trad heavy/power metal riffs reminiscent of the German and Danish scenes do keep this band away from being labeled complete clones, and I think they'll improve even further if the singer drops the KD parts and hones in on the stuff he does below that which worked for me a lot more alongside these riffs. Loud, solid but unremarkable stuff here, good enough to get the heads banging but not a lot of my blood flowing. I do remember liking the eponymous debut album a bit more than this one, with the lyrics in Portuguese.
Verdict: Indifference [6.75/10]