
Since they evolved along a sidereal tract to those central Greek artisans, there are some curious differences to how Vorphalack approached their writing. This is a more 'progressive' form of that slower paced fare, to the point that I heard a splinter of Fates Warning (circa Awaken the Guardian or No Exit) in the guitars of the first track "Hall of Death". The synthesizers used here are also very prog-like, almost too tingling and spacey for the whole pseudo-vampiric, LaVeyan Satanist shtick Vorphalack use in their lyrics and corpse-painted image, and while effective, the gruff guttural vocals (akin to Thou Art Lord) are decidedly monotonous. The other track, "Obsessed", does vary to a degree, with a brazen organ intro, and this is the better of the pair, with slowly churning guitar grooves and a nice if simple lead in the bridge, not to mention the bass in the rather psychedelic closing sequence.
All told, Under the Sight of Dragon is an intriguing alternative to what was happening elsewhere in Athens and the rest of Greece, but you get the feeling the band weren't quite assured of where they wanted to take this, and the final product feels bland and ultimately forgettable. The actual production is lacking and there are no riffs of note featured in either track, only inclement pangs of atmosphere are left to draw in the listener. As a result, they would never flirt with the same success as Rotting Christ, Septic Flesh or other bands from their homeland. This is merely a footnote, though the band would survive on into the 21st century with a number of releases.
Verdict: Indifference [5.25/10]
http://vorphalack.tripod.com/
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