Wednesday, November 12, 2025

Deströyer 666 - Cold Steel...for an Iron Age (2002)

Cold Steel... was an interesting album because it almost does a 180 spin back from the polished Phoenix Rising back to the more feral appeals of the Violence EP. The cover art is quite primitive and forgettable (and don't get me wrong, I much prefer the black white artwork on the reissue). The production is a little more raw and searing, although not in a bad way whatsoever, because the musicianship and songwriting are still on the save level of the previous album, and for my money, there's a lot more personality here. Regardless of whatever tweaks the band has made to its musical formula throughout the decades, and whichever of its fundamental styles becomes the focus, K.K. Warslut and Deströyer 666 are full on-board the underground.

This record is great. I liked the two before it well enough, but this one just has a certain pulse of charming vitriol coursing throughout it that draws me in. Warslut's vocals are definitely more natural and devilish, with a little more versatility than on Phoenix, perhaps they've leaned a little more into the carnal, traditional black metal rasp, but something about them appeals, and I'm saying that even after praising how well-implemented they were the last time out. The writing here is definitely black with little threads of speed and thrash metal running through it, a portent of later records for sure, but also tying them back to the beginning. The guitar tone here is more incendiary and ear-piercing, but you still have a fine balance with lots of the tremolo-picking and melodies and then those thicker walls of Bathory chords wrestling with the attention beneath. You get a couple little licks that remind me of stuff like vintage Slayer, but there's also a lot of material where the Marduk blast-fests take off ("Sons of Perdition").

Similar to Phoenix Rising, I feel like the deeper you go into the track list, the more interesting and atmospheric the material becomes, so a lot of my favored tunes like "The Calling" and "Witch Hunter" thrive back there. You definitely want to track down a reissued version, not only for the superior cover artwork but also a couple extra tunes like "The Dragon" that fit right in and are also pretty good. Some of the production and riffing here serves as yet another foreshadow to Wildfire (I'll explain why that is important to me later), and while it's not as clear and technically proficient sounding as the album before it, I'll take the more sinister sincerity of this one just because it's more memorable and resonant. In fact, this might be the first album where I went past 'liking' the band's output to actively being more interested in following them.

Verdict: Win [8.25/10]

https://www.destroyer666.uk/

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