Lucifer II does mark a partial change of direction from the debut, but it does so without neglecting the bands roots and initial premise to...

It's nothing novel to hear some new Sabbath sounding upstart arrive on a label like Rise Above Records, but when the simply dubbed Luci...

You've seen me use the 'D' word many times in my Cauldron reviews, so it's gratifying that the first track on the Canadians...

2017's End of Chapter was novel for coming out of Lithuania with a bright, post-black feel, but for me the Au-Dessus full-length debut...

This was a pretty promising split for me, as I was highly impressed with the Archvile King full-length debut  À la ruine from earlier this ...

New Gods is by far the best-produced of the Cauldron albums, and I can only imagine if most of the prior full-lengths had been given the s...

I had the opportunity last year to cover this Dutch band's sophomore outing II: A Material God , and now the band's label Les Acteur...

Decadanse is an interesting album for me to approach, for while I've heard a few of this artist's myriad projects in the past ( Yhd...

I was a bit underwhelmed by the first few Cauldron records, so when I first saw the excellent Todd Kowalski cover art (do more of these, To...

It's got the kind of hot album cover many bands would have dreamed of in the 80s, but then the fact it's coupled up with the cheesy ...