Black Sabbath. Electric Wizard. Black Magician . It stands to reason that there is aesthetic lineage taking place in the UK which seeks to...

You know you're probably in trouble when the bookend samples for the first cut on an album are of the Crypt Keeper from HBO's Tale...

I've always wanted to like Necrophagia a lot more than I actually do. That's not to say that Killjoy hasn't in his own way co...

A justifiably bygone relic of another age, around the point the second wave black metal bubble was ripe to burst, Of Rape and Vampirism n...

You know how sometimes you get a new record from a band that you’ve never heard of before, and it takes you a few songs or a few listens t...

Not that I've been terribly active lately to begin with, but for the first time since kicking off the blog in 2008, I'm actually ...

I was first exposed to Malcolm Pugh's A Loathing Requiem through a video review of his 2010 debut Psalms of Misanthropy on YouTube, t...

As opposed to the Bestial Storms of the Abyssal Pit demo, the Lawgiver EP represents the first official new material released from Finla...

Before critiquing a demo like Bestial Storms of the Abyssal Pit , it's probably important to place it into context. This is a recordin...

Sometimes it's clever to conjoin a few words and create your own, and other times it's pretty dumb. Dominhate , the title of Injur...