I'm not ashamed to say that Rigor Mortis has always been a bit of a one hit wonder for me...their eponymous debut has remained in my ...

Thornography arrived in the midst of that nebulous era in which I had lost all interest in anything Cradle of Filth had to say. I had be...

Coming hot on the heels of Revocation 's somewhat disappointing, eponymous 2013 effort, Deathless seems like an immediate bounce back...

I'm not going to delve too deeply into the controversy and politics behind the creation of this record. Yes, Obituary crowd funded th...

Under the Moonlight gets a few things very right, and a few things seriously wrong in the way a lot of Mediterranean region heavy and pow...

Had history gone a little differently, and the NWOBHM of the late 70s/early 80s was actually the New Wave of New England Heavy Metal, Hess...

Much as The Graveyard proved the nadir to all those things King Diamond , an uninspired and pitifully bland paragon of career exhaustion,...

It doesn't look like much, with the stark contrasts of the red logo and lame album title font against the gray castle tower backdrop, ...

I've mentioned before that I really like having some 'continuity' for metal niches that I really enjoyed during their original...

I've yet to be displeased with anything Patrick Bruss has released under the Crypticus brand, and The Barrens has not proven an exce...