Lure of the Occult was like having some temporal burglar sneak into my basement in 1991, steal all of the tapes in my rapidly expanding d...

The best description I could give for A Call from Beyond the Grave is that listening through it was like flossing my teeth with a pitchfo...

I'll say it up front, fellas: you deserve a better logo than this, so cough up the $50 or $100 and have someone design it. A typewrite...

Apollonian Eyes is the third EP of Sweden's Septekh , though if what I'm reading is correct, the first two had the same track lis...

Reason #116 that small/independent label compilations of underground bands are infinitely superior than larger label collections/anthologi...

Derivation is an uncomfortable bedfellow, but when it comes to metal music, it is also the cliched sincerest form of flattery. While I thi...

Italy's always had somewhat of an 'in' on the traditions of doom metal, a natural ability to produce bands of a classic, creep...

Deathhammer. Nuclearhammer. Demolition Hammer. Master's Hammer. Hellhammer. Witchhammer. Fisthammer . Metal music is a veritable hardw...

Regardless of whether or not Venus Star 's prior, 2012 effort left much of a lasting impression upon me, the novelty of multi-instrume...

Svartsyn has a pretty distinct ability to reinvent itself on each new album without abandoning the black metal genre whatsoever, and upon...