The Heretic Priests of Amon is the followup to last year's Woe to the Conquered , the full-length debut of Singapore's Oshiego . ...

Nachtzeit's Lustre is a project that certainly has an aptitude for trying my patience, due largely to the length of the tracks, and t...

Euphoria...of Flesh, Men and the Great Escape is my first exposure to the band Bauda , but hopefully not my last, because this thing is f...

An Autumn for Crippled Children is a Dutch act which has been gradually advancing itself towards the upper echelons of atmospheric, depre...

Awaken to the alarm clock. Brush teeth. Make breakfast. Death metal. Lunch. Death metal. Dinner. Death metal. This is surely the daily cyc...

It might not be the most impressive death metal I've heard in recent months, but Ad Patres ' full-length debut Scorn Aesthetics i...

Wisconsin's Warseid writes and performs with an evocative blend of progressive and symphonic extreme metal elements that seems somewh...

Say what you will about Century Media's questionable, lame metalcore signings ( Destiny Potato ? Really?) and trendy preferences throu...

Q2K beckoned forth the 21st century of Queensrÿche with a slightly more modern rock fixation than its two predecessors. One can still he...

My connection to Canadian juggernauts Crytopsy has remained tenuous at best through the years, peaking with the influential None So Vile...