I must have soaked through at least a half dozen t-shirts in anticipation once the news arrived that Zak Stevens had left the Savatage ca...

If The Wake of Magellan sounds like you've heard it before, that's because you probably have. With the possible exception of seem...

Dead Winter Dead is the first (and better) of two historical concept albums the veteran Savatage would compose to fill out the 90s, and ...

In all honesty, Handful of Rain would have had to commit identity theft on me, clean out my bank account, post compromising pictures of m...

Being that Edge of Thorns marked an enormous transition for the band, Jon Oliva departing from his frontal duties to serve more as a ...

Streets was the first unified concept album from Savatage , to be later followed up by titles like Dead Winter Dead and Wake of Magellan...

I must say it: attempting to follow up a mighty masterwork like Hall of the Mountain King would be a daunting prospect for even the most ...

Not only one of the best 'rebound' records in metal history, but one of the most poignant and memorable excursions of all the US p...

Perhaps the greatest crime committed by the third Savatage full-length is that it stacks up so poorly against all its immediate neighbors...

Power of the Night was clearly cognizant of its stature as the first of Savatage 's major label efforts, and I think it was little su...

As often as my opinions have fluctuated beyond their 1989 opus Gutter Ballet , Savatage was once one of the most rock steady, reliable he...

I can't be the only person that teared up a little when he realized there would be, at long last, a full-fledged live album featurin...

Time may not have been kind to Savatage , as numerous tragedies (the loss of amazing axeman Criss Oliva, the temporary absence of songwriter...