The third Death Angel live album was recorded in their home turf San Francisco during the plague times, and boasts what I think must be the...

I have almost no interest whatsoever in acoustic recordings from metal bands. There, I said it. It's not that I harbor a particular disd...

Upon first glance I admit I didn't find this latest Death Angel album to be all that appealing. The Humanicide title seems trite and...

What immediately struck me about The Evil Divide is that it was a more clear return to the direction Death Angel was headed on their Fro...

There are quite a number of classic thrash bands, both in the States and Europe, who for me really haven't survived their transitions ...

I think it's a good thing that I've experienced Death Angel 's latest album, Relentless Retribution before revisiting their pos...

It's sad to me that a live album recorded and released nearly 20 years after a prior such product can fail to live up to it, but that...

While I'm tempted to hypothesize over what might have manifest if Death Angel hadn't suffered the traumatic injury that put their c...

I must admit that my first impressions of Act III were mixed, as the album had such a polished, almost pop finish to it that it forced The ...

Sign that you're a pretty hot commodity: after just a pair of albums on a semi-underground imprint, and some limited video rotation on M...

The irony of such a killer debut album as The Ultra-Violence is the enormous pressure placed on its successor, a pressure that Death Angel ...

The Ultra-Violence is another of those unripe, ripping West Coast speed/thrash metal experiences so unique to its point and place of origin...

First I should state that there is but one Death Angel album I find essential in the band's history, and that would be the debut The Ul...